You may have noticed that this site sits fairly idle … for now.
My primary focus for the last several years has been on establishing
You may have noticed that this site sits fairly idle … for now.
My primary focus for the last several years has been on establishing
Most of my piano and composition students do not pursue a degree, much less a career, in music. This is how it should be. While I am prepared to take a student to the college level, my main goal is enabling a lifelong joy of music through developing the accomplished learner. Additionally, I coach self-patience, perseverance, and high personal standards – skills useful in any career.
But when the stars align, it seems, I am blessed with a student interested in a career in music. I love the college audition preparation phase, where the literature is necessarily diverse and meaty. I love that the attention to detail is consistently deep. The student’s motivation jumps a few notches higher, and the rate of growth is that much more pronounced.
Getting into a music school is the immediate hurdle. However, I am aware that making a career in music is another hurdle usually not covered at all within the 4 year programs our students take. Thus I also coach how to make a living as a professional musician, or at least to find opportunities to play as a professional musician. More often than not, that means making your own opportunities.
I have heard conductors introduce new works by saying, “You may not like this work, so let me tell you what to pay attention to…” This is a noble effort that starts with a failing proposition. It is within our reach to resolve this problem.
Whenever I ask choral conductors about the lack of the octatonic’s representation in the choral repertoire, I seem to receive many eye-rolls, but no convincing answers beyond its difficulty to sing. What we broadly label as the octatonic has a rich and organic tradition within the Russian instrumental music tradition. It is hard to imagine that there is not already a body of vocal works that at least slip into large sections of “octatonic”. But I’ve yet to meet someone who can point me to such works.
On August 26, 2018, Arizona Philharmonic opened its inaugural season with a concert of my orchestral music. It was an amazing experience and a success by all measures:
The concert included five of my orchestra works, including two premieres: my piano concert Currents and a new composition Canyon Reflections, inspired by the Grand Canyon National Park’s 100th anniversary and written in honor of Yavapai College’s 50th anniversary.
AZ Event Video’s production of the concert video can be found on YouTube: